![]() Below is an example of a P3 project.HDR projects 4 professional is, as the name suggests, HDR software and it's created by FRANZIS who are a software company with a whole portfolio of useful tools that are compatible with both Windows and Mac machines, plus there are Adobe Lightroom, Elements and Photoshop plug-ins available. The Monitoring Colour Space is the color space of your scopes. Graphics Colour Space is for the GUI, so it should match the color space of the OS. Broadcast Colour Space should match the color space of your external broadcast or SDI monitor. Next, you’ll need to set the color spaces of your monitors. If you’re working in P3, this should be set to ST-2084 (PQ), DCI-P3 (D65 white). If you’re working in Rec.2020 ST.2084, this should be set to Rec. In the Color Management pane, the Working Colour Space should reflect your project's color space. To adjust this, in the bottom right corner, click FLAME, then Preferences, and finally Colour Management.Ģ. ![]() The first thing we need to do is make sure the Project is set up for HDR color management. Your individual workflow and color management may require different settings.ġ. Flame is also a very powerful tool that fits into very complex workflows very well here, we’ll cover a simple way to make sure your output files are tagged correctly to be interpreted by Frame.io as HDR. While Autodesk Flame is typically used during the online and conform phase of the workflow, there are definitely use cases where you might want to output a file for clients to check, and Flame has robust HDR support. The process is the same for HLG files - just choose the transfer function that matches your files or workflow. For these examples, we will be generating PQ files. We'll cover a few common Color Systems here. Getting the right settings for HDR output can be a tricky process. While these displays are not professional-grade mastering displays, they offer better rendition than a computer GUI. There are great professional grades monitoring solutions such as the Sony BVM-HX310, the Canon DP-V3120, and the Flanders XM311K or XM310K.Īlternatively, there are high-end consumer displays that render relatively accurate colors like the LG CX. For best results, we recommend sending a signal out to an external monitor from your system. Like the ones listed below, most software tools will not show an accurate HDR image in the GUI. For a file to playback in HDR on Frame.io, it needs to be in Rec.2020, have a ST.2084 (PQ) transfer function, and have its color primaries defined these need to be carried in metadata flags in the uploaded asset.īefore we dive into our guides on several tools, we should take a moment to discuss monitoring HDR. These are examples, and your actual workflow may differ. However, since HDR is more than a simple output setting, you may need to consult your tool’s documentation to ensure your color management settings are set up to display properly and tone map HDR from your source material. Frame.io will encode them to proxies when they are uploaded. A good alternative is creating Apple ProRes 422 HQ or ProRes LT files these files are larger but may render faster. Not all tools can output H.265 files, and some tools may take too long to generate them. For best results, we recommend 10bit HEVC (H.265) files that are 1920x1080 or larger. Most modern NLEs and post-production tools support the creation of HDR files. Please upload these assets again to see them play back in HDR. HDR assets uploaded previously to the release of HDR support will not playback in HDR. ![]() NOTE : Frame.io does not support DolbyVision or HDR10+ at this time.Ĭlick here to see a breakdown of compatible file formats. If your file looks different, there’s a chance that the metadata flags are incorrect. ![]() Here is an example of a tool called MediaInfo.
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